This has been a busy December already! Last week I visited Dallas at the invitation of Matthew Abramowitz, proprietor of A Storybook House, a charming and original home to not only children’s books, but original works of art for sale by some of our leading children’s books illustrators. Sadly, The Storybook House has announced it will be closing its doors this December. However, they will continue to sell original works of art as well as host author/artist school visits. I hope you continue to support their magnificent efforts even though the brick and mortar location will be dark. I urge you to continue to patronize their online art efforts. If you are in the market for some remarkable original pieces of children’s illustration art, you have a wonderful source here.
Also a few days ago I was privileged to be asked to join my frequent collaborator, Chuck Fischer, on a radio interview with the San Francisco Book Review‘s Kaye Cloutman. Thank you Chuck and Kaye for a delightful session. You can visit Kaye’s blog and listen to the interview. In it we discuss A Christmas Carol, our collaborations, and our different alternative projects, including Chuck’s new IPad Apps for A Christmas Carol and The Night Before Christmas as well as my other current release, Harry Potter, and other works now in development.
And even though Christmas is closing in fast, I will be doing one more signing this week here in Houston. Winestyles of Cypress is hosting a book signing and wine tasting this Monday, December 20 at 6:30. Quantities of Harry Potter and A Christmas Carol are in limited supply so get there early!
And finally, a giant, no, GINORMOUS, thank you to all my new friends at Matzke Elementary, who invited me to visit their school this past Friday. We had a blast! The students, teachers, and PTO volunteers were wonderful and SO enthusiastic!
By MiChelle Jones/ Special Contributor to The Dallas Morning News….Nashville-based writer MiChelle Jones really wants to see that pop-up exhibition in D.C.
Movable books have fascinated people for centuries; modern pop-ups have become increasingly elaborate and often include miniature versions to augment the larger jaw-dropping spreads.
Pop-up books are simulated in commercials and mimicked in department store holiday windows. They are the subject of an exhibition at the National Museum of American History in Washington and are being adapted for electronic applications.
Houston-based paper engineer Bruce Foster was involved with the Smithsonian exhibition, but you won’t find him reaching for an iPad or smart phone to read a pop-up book, at least not yet.
“Maybe one of these days when they can do real 3-D holographic stuff out in your lap, I’ll be more excited,” Foster says by phone from his studio. “You have to have a sense of the volumes of the things right there in your lap for you to get the real experience.”
Foster is among the pop-up elite, one of the foremost paper engineers in the world. The Tennessee native has called Texas home since 1986. This year he adds two books to the 40 he has previously published – A Christmas Carol (Little, Brown, $30) with artist and writer Chuck Fischer, and Harry Potter: A Pop-Up Book (Insight Editions, $34.95) with illustrator Andrew Williamson and writer Lucy Kee.
Surprisingly, Foster wasn’t obsessed with pop-up books as a child. His introduction to the genre came when he was working as a graphic designer and was searching for a way to jazz up an ad campaign for Hi-C juices.
He frequently makes presentations in schools, explaining what paper engineers do and how they work with artists and writers to create pop-up books. He begins by talking about Disney’s film Enchanted, for which he designed the opening pop-up scenes, and ends the talk with something that never fails to delight his young audiences – Harry Potter.
Read the entire article here.